None of us likes to be told to calm down. When we’re feeling anxious, irritable or stressed, it is probably the worst advice anyone can give us. But here’s an alternative solution: if you ever find yourself in a state, a few doses of this three-minute clip will restore peace more effectively than any patronising waffle. The piece has nothing whatsoever to do with Shakespeare, but it was hearing Prospero’s line “Gentle breath of yours my sails must fill” a few days ago which directed me straight to this trio from Mozart’s opera Cosi fan Tutte (All women are like this). I know that the context and meaning are quite different: it was the line at face value alone which was the prompt.
Cosi fan Tutte, first performed in 1790, the year before his death at the age of just 35, is one of Mozart’s comic operas, even if it has quite a serious undertone. It is an opera about love, exploring the joys and heartaches that it brings, to which Mozart sets truly beautiful and tender music. In summary, it is the tale of two engaged couples, Dorabella to Fernando and Fiordiligi to Guglielmo, and a bet which the mischievous bachelor, Don Alfonso, has with both men that their respective fiancés would be incapable of being faithful to them if they were away. To test this, he arranges for them to be summoned away to war, but also for them to reappear disguised as Albanians and flirt with eachother’s halves – with somewhat alarming success, to the extent that a double wedding to the ‘wrong’ women is about to proceed, whereupon Alfonso has won his bet and their true identities are revealed. Perhaps a little surprisingly, all is forgiven and the status quo ante is restored!
This exquisite trio is sung by Dorabella, Fiordiligi and Alfonso, as they see the men sail away into the distance. From the very first notes, you can instantly sense a gentle breeze on calm waters, as they wish them safe travels. ‘Soave sia il vento, tranquilla sia l’onda…’, meaning ‘May the wind be gentle, may the waves be calm…’, brings three voices together in a few minutes of harmonic bliss and ranks as one of Mozart’s very finest passages in all his operas. I’ve no doubt it will be recognised by almost everyone, having been used in the film ‘Sunday, Bloody Sunday’ and countless commercials since, but only a heart of stone could not be moved by the melody and the way the voices mingle with eachother over a gently rocking orchestration.
Here is a recording from the production at Glyndebourne in 2006, the first time I really enjoyed this opera. A dose of calm. And with your eyes shut on a second hearing, allowing the sounds to just waft over you, as good as a short meditation.